Perhaps the biggest lesson that the minoritarian technopoetic performances we engaged with here have taught us is the existence of modes of mediated performance that do not try to reproduce outdated notions of theater as a forum but rather animate practices of differential consciousness that expand our languages of resistance and poetic self-making. As the world falls apart and comes together time and time again, these transnational technopoetic performances work as reminders of the long temporality of the critical entanglements between politics, embodiment, and affect.

Marcela A. Fuentes, Technopoetics of Togetherness: Live Performance Before the End of the World (22)